Aug 26

A Watercolour A Week Challenge – Week 2

Ok, so technically this one has taken two weeks, but I can be ok with that.  The whole point is to be productive, which I see I am doing so I can’t be too picky.

This image gave me real issues.  I really seem to have something against this paper that I am trying to use up.  And for whatever reason I just wasn’t happy with the image no matter what I did to it, so I have had it beside my computer doing bits to it here and there and now finally today I feel like it is finished and I am happy enough to move on!

There were lots of changes and lots of layers and this particular paper wasn’t taking too kindly to the abuse.  I did end out using some watercolour pencils in combination with the paints in this case.  I just found the image needed a bit of extra solid detail to give it a bit of kick.

Hell I should probably get out the beautiful archers paper I have and stop trying to be so tight about things!

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Roses.jpg

(Yep looking back on this image a few week later I still hate it.  It really bothers me.  But.. I need to be content with things not always turning out right or being easy.  This is a challenge for a reason.  And I’m refusing to let myself take this image down because I am not happy with it.  Damn you roses.  Damn you!)

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Aug 11

A watercolour a Week Challenge Proposal

Ok, so here I am committing myself to at least one watercolour painting in a week.  It can be a speed painting, a study or whatever tickles my fancy, just as long as it is something.  I will do this until my current supply of paper runs out and then I will look back  on what I am hoping to be a much improved folio of work.

I find it way to easy too be distracted and just let things drift out of the front of my mind – and once its out of there it is easily forgotten.  So hopefully this is the answer.  If I commit to it here (even if nobody is reading)  I have a promise to keep.

So here is the one to kick things off.  It is a small painting that I dabbled in  over the duration of 2 days whilst doing all the usual stuff including washing, dishes and child raising.  Not a lot of time was spent on it, but I did explore using a wet and loose style where I was not particulary paying much attention to a reference photo.  I did also use some pencil work in there too.

I very much enjoyed this excersise and it will prove valuable in keeping up my enthusiasm.

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Aug 11

Painting in Watercolour

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Mountains

As I spoke about in the first post of this blog, painting in watercolour is extremely convenient for me.  It is easy to clean up, move around the house to suit my situation and not be tied to having to finish it in a particular time frame. I can walk away from it, let a layer of wet paint dry, and then have a dab on the way past while Oliver is eating his lunch.

When I was studying painting was one of my smallest areas of interest. I admired the people who painted well, but I was more interested in the printing technique and seeing what those massive machines were all about along with digital work and using computers to create. Now it seems I have come around 180 deg and am feeling the pull towards painting and natural expressive strokes and the mixing of colours and texture.

These are my most recent watercolour paintings. And while I know I have plenty of time and room for improvement I am seeing myself get better as I go along and can’t help but be excited by the potential.

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Pumpkins

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The Lake

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Mar 19

Francisco de Goya

I just happened to be watching ABC Sunday Arts on the weekend. This is not something I tend to remember to do but I got lucky and was in the right place at the right time. Luckily for me there was a segment on Goya and his series “The Disasters of War”.

It really hit a nerve for me, not only because I have a bit of a soft spot for dark and gloomy etching, but because It reminded me of something that had been sleeping in the back of my brain somewhere. It reminded me that we had actually had an excursion way back in high school, I think it was 1998. And I had actually been fortunate enough to see these etchings in the flesh.

This series is known as one of the most disturbing and graphic to date. They were left unpublished until after his death, and finally surfaced in 1863.

Long story short, Goya had seen the atrocities of the war between the French and the Spanish, lost his hearing and then his sight, all whilst in a downward spiral of torment and despair. His work got darker and more “disgusting” as he seemed to sink further into madness almost as thought he had seen too much of what the world really is and could not turn those images off in his mind. Something like the sun burning death and brutality into your retina.

I certainly found these images interesting as young teenage girl, interested in the arts and always slightly unusual. I’m sure it is the sort of thing that any young person who doesn’t quiet fit in might gravitate towards.

But what interests me, as a now 27 year old wife and mother, is how big of an impact they still have on me. I realise now, after having completed my degree, majoring in the printmaking area where we were constantly exposed to the etching process, that that one series of work may just have had a hand in choosing the direction my life has headed in.

And sometimes, as masochictic as it is, I enjoy a bit of torture and despair. And to admit that things are not all rosey and you can’t just put your head under the covers and pretend the world is perfect. But that being said, Goya lost his balance and was not able to climb back out of his negativity and it seems was forever lost to the abyss.

SATURN DEVOURING HIS CHILDREN (1824) - Francisco de Goya

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Mar 14

The Gallery

I have finally decided it was time to put together a very long overdue image gallery to organise my artwork and keep a record of when and what is created. Many thanks goes out to my husband for all of his help with the tweaking and answering all of my annoying questions.

The plan is for this to be a space where I can have my artwork easily at my disposal instead of having to rummage through hard copies, and also a quick link to display work to potential customers. It will be a place where I can keep track of commissions and the status of my artwork and keep myself inspired.

The majority of work coming through will most likely be watercolour paintings as this is where I have decided to focus my attentions. I actually majored in the printmaking area of my course but unfortunately access to presses, chemicals and equipment pose a problem. So my compromise it to explore painting as I can easily set up a space for this at home and work around my son where possible. I am still quiet restricted in time and energy but I am committing myself, here publicly, to force myself to make the effort. Because it is worth it.

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“Coastline”

A watercolour painting using reference from an image that my sister took on her trip along Great Ocean Road whilst visiting the Twelve Apostles. Vic, Australia.

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